EVAN RACHEL WOOD & ALAN CUMMING
ARE ANNOUNCED TO STAR IN
SPIDER-MAN
Turn Off The Dark

TICKETS NOW ON SALE
EXCLUSIVELY FOR AMERICAN EXPRESS® CARDMEMBERS

PREVIEWS NOW BEGIN THURSDAY, FEBRUARY 25

www.SpidermanOnBroadway.com

(June 26, 2009) Evan Rachel Wood and Alan Cumming will star in SPIDER-MAN Turn Off The Dark on Broadway, with music and lyrics by Bono and The Edge, written by Julie Taymor and Glen Berger and directed by Julie Taymor.

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Admitting that she is attracted to androgynous men, Evan Rachel Wood isn’t shy of making public her admiration for “American Idol” season 8 runner-up Adam Lambert. “I probably couldn’t help myself, that guyliner is so amazing,” so she says of the male music performer. “But he’s got an incredible voice, talent is very sexy. I love that he’s so androgynous, he just doesn’t care, has fun and wears whatever he wants.”

In further interview with Pop Tarts, the movie beauty talks of her tendency dating older men. “That’s just what works for me. I usually just have more in common with them for some reason. I guess because I’ve just always been around older people,” she explains.

Evan Rachel Wood set tongue waging when she dated goth rocker Marilyn Manson in late December 2006. The pair later on broke up in December last year. She has since then been romantically linked to a number of men, including Jason Segel and Mickey Rourke. Evan is currently dating actor Shane West.

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I have finally added the captures from Evan’s 1999 TV-movie, ‘Down Will Come Baby’ to the gallery! Even at such a young age, Evan shows amazing talent ^_^ I’ve also added the dvd extras of a film synopsis and biography – enjoy.

Gallery Links
Movie Productions – Down Will Come Baby – DVD: Screen Captures
Movie Productions – Down Will Come Baby – DVD: About the Film
Movie Productions – Down Will Come Baby – DVD: Biography

Not much is going on lately with Evan, but I know True Blood will be airing her episodes soon!  Hopefully that means some awesome promotional pics or something – for now, I’ve just added a few images from Evan’s appearances on “Jimmy Fallon”, and I’m in the midst of capping “Down Will Come Baby”, so more updates asap!

Gallery Links
Public Appearances – 2009 – “Late Night with Jimmy Fallon”

It’d be far too easy and immature to devote an entire interview to asking Evan Rachel Wood, the 21-year-old Golden Globe-nominated actress of Thirteen and Running With Scissors, about her attraction (fictional and otherwise) to older men. Sure, she was once involved in very public relationship with goth-rocker Marilyn Manson, who just so happens to be 18 years her senior. And okay fine, her latest movie—Whatever Works, which opens nationwide this weekend—is about the romance between a younger woman (played by her) and a balding, nebbishy older man played by Larry David—a film directed, not coincidentally, by Woody Allen, a balding, nebbishy auteur who has made many movies about balding, nebbishy men and the jailbait who love them.

And yes, there were tabloid rumors (likely untrue) that Wood was involved in some tonsil-hockey with Mickey Rourke, who played her deadbeat daddy in last year’s indie hit The Wrestler, and even more tabloid rumors (likely true) that she’s currently dating Shane West, who played her older brother on the long-since cancelled ABC drama Once and Again, which would seem to suggest that she has a thing for fictional incest. But I’m not going to go there, because that would be obvious. And redundant. And irrelevant. I’m only interested in asking her about the craft of acting, and her devotion to truthful story-telling, and blah blah blah, okay whatever, yes fine, I want to know about the older men. So sue me!

I called Ms. Wood at the Hotel Costes in Paris, France, where she was taking a much-deserved break from promoting Whatever Works and, I could only assume, catering to an endless queue of senior-age lovers. (Please ignore that last part. To the best of my knowledge, it’s entirely fictional.)

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Everyone has a boss or an uncle that revels in telling the same story over and over again. It was really funny the first time you heard it, and it was fine to hear it again when the boss or uncle told it to somebody else. You even tolerated it when he told the same story twice in one day, just because somebody new walked into the room and an uncomfortable silence was in the air.

But now it’s the eighth time that story somehow squeezed its way into a conversation, and you know every twist and the punchline word for word.

If you’ve never seen a Woody Allen comedy, Whatever Works is pretty funny. But if you’ve navigated your way to this point through Annie Hall and Manhattan or even his less stellar 1990s period including Everyone Says I Love You and Deconstructing Harry, you have heard Allen or his on-screen surrogates discuss relationships, religion, society, and the opposite sex in pretty much the same way every time. For you, Whatever Works probably won’t work.

In his latest film, Allen hitches his specific and unaltered worldview to Boris Yellnikoff (Larry David), a physicist who was once “considered” for the Nobel Prize. Neuroses got the better of him, and soon after hitting his professional zenith, Boris fell off dramatically, symbolized by his attempted suicide, a running jump out of his penthouse window that ended on the canopy below.

Now instead of leaving the world he can’t abide, Boris walks through it with a limp. He is simply overwhelmed by society and the “cretins” in it. His best rants about the idiocy that he faces on a daily basis involve calling people he thinks are beneath him inchworms or earthworms. We hear one or the other about every three minutes.

Boris’ judgments are put to the test when he meets and is instantly repelled by Melody (Evan Rachel Wood ), a pretty but uneducated southern runaway. For reasons that simply can’t be made clear other than being in the interest of developing a plot, Boris lets Melody live in his apartment. For a month or so. Naturally – for this is a Woody Allen film – she falls madly in love with the godless curmudgeon at least 35 years her senior.

The movie is filled with odd pairings like that, and two of them involve Melody’s parents (Patricia Clarkson and Ed Begley, Jr.), who have divorced since their daughter’s disappearance but have wound up in Manhattan around the same time looking for her. Most of these relationships have their charms even though they’re far-fetched. Then again, look at the title.

Though this is far from being classic Woody Allen, there is plenty of Allen’s classic cynicism, some of which is more effective in other movies than it is here. Some of Boris’ monologues get some big laughs. Woody has said he wrote this movie 30 years ago for Zero Mostel, who would have been perfect, but David makes a great mouthpiece for Allen’s specific voice, even though the story is more than a little threadbare.

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